FLO have booked a London arena finale for their next tour. Renée Downer, Stella Quaresma and Jorja Douglas will take Therapy At The Club through North America and Europe in 2027, ending at the OVO Arena Wembley. It will be the British R&B group's first headline arena show.
Source: Live Nation's FLO tour announcement; promotional photograph credited to Alex J Piper.
A bigger route for Therapy At The Club
Seattle's Moore Theatre gets the opening night. From there, the trio will play 17 North American dates, including Los Angeles, Houston, Atlanta, New York and Chicago, before reaching Toronto. The European leg takes in Cologne, Amsterdam and Paris. Manchester's O2 Apollo comes next, followed by Wembley.
New York's Radio City Music Hall is on the itinerary too. Wembley has confirmed March 12 for London, bringing the run to an end almost two months after it begins. Live Nation announced the shows following FLO's first headline tour across Asia.
Presales come before Friday's general release
The artist presale starts on Wednesday at 10 a.m. local time. Local and partner presales follow, with the general sale opening on Friday at 10 a.m. Fans will find the venue links on FLO's official website. Presale partners vary by country: France and the Netherlands have Mastercard access, while O2 Priority is among the UK options.
For fans already making plans, we have guides to keeping concert posters, tickets and photographs and understanding concert sound levels. Save the booking details somewhere easy to find, and add hearing protection to the packing list.
The album moves into larger rooms
Therapy At The Club is FLO's second album. It has already been followed by Club Therapy with Honey Dijon, a remix project with the DJ and producer. The forthcoming shows give both releases a new live setting.
Cardboard Box introduced the trio to a much wider audience in 2022. The group's background covers that breakthrough, and the FLO song archive collects their songs for listeners catching up before the tour. A setlist has not been announced, so the catalogue is a starting point for listening, not a promise of what will be performed.
